What is the effect of repetition in this project?ĭo-Ho Suh: Public Figures-a monument to many Now imagine more than a thousand of them, in the same field. Imagine a field with one large umbrella sculpture. Besides covering a large area geographically in each site, the sites also linked one country to another.

Photo taken by Dddeco 27 December 1991, image under the GFDLĪnother massive project by Christo and Jeanne-Claude was the installation of large scale blue and yellow umbrella sculptures, 1.340 blue ones in Japan, and 1,760 yellow ones in the U.S. Imagine seeing one lone moai on the coast, compared to a row of 15 of them.Ī close up of the moai at Ahu Tahai, restored with coral eyes by the American archaeologist William Mullo.Ĭhristo and Jeanne-Claude: the Umbrella ProjectĬhristo und Jeanne-Claude Umbrella Project(Japan) 1991ġ,340 blue umbrellas in Ibaraki Japan, and 1,760 yellow umbrellas at the Tejon Ranch in southern California The height of the moai is more than twice the height of the average human. Imagine encountering this row of 15 moai, overwhelming in size and able to be seen from a far distance. They represent the faces of deified ancestors.( aringa ora ata tepuna). They were carved from rock and have overly large heads. Moai are monolithic human figures situated on platforms called ahu on Polynesian Easter Island. Moai restored in the 1990's by a Japanese research team after a cyclone knocked them over in the 1960's. If Judd's concern is with pure forms, how does the repetition of a single form -shape, dimensions, spacing and color-affect your respsonse? Does it strengthen Judd's intent? Are you able to experience this work as pure form only, or do you look for metaphoric references that relate to hman experience?Įaster Island: Ahu Tongariki, repetition as intimidationĪhu Tongariki on Easter Island. Image from the curriculum guide for the exhibition So, Why Is This Art?, Walker Art Center, Minneapolis, 2002. This creates the impression that the artwork shares the observer’s space instead of being set apart like a sculpture on a pedestal'. His stacked boxes seem to come directly out of the wall rather than projecting from a backing surface. Emphatically concerned with pure forms, Judd’s works become statements about proportion and rhythm as well as three-dimensional space. Through these works, he sought to create a depersonalized art in which the exploration of space, scale, and materials served as an end, rather than as a metaphor for human experience.

Ruben, 1981įrom the Walker Art Center website: 'One of the foremost practitioners of Minimal Art, Donald Judd is best known for his sleek, boxlike constructions made of industrial materials such as aluminum, plywood, sheet metal, and plexiglass. What words do you think of when you look at the two different boxes? You might think of spare, lone, almost empty, lonely.or you might think of abundant, innumerable, unmanageable, out of control.Īnodized aluminum each of 10 boxes 6 x 27 x 24 inches The second box is overflowing with multicolored circles, so many that they cannot all be contained within the box. In the first box, there is one colored circle.

To get an idea of the effect of repetition in an artwork, look at the illustration below. Repetition is an object, form, or figure that is repeated. Differing sizes of similar figures are repeated, with variations in their order and grouping. Rhythm can be seen in the two outermost layers, especially the second one from the edge, with a black background. Pattern can be found in the areas where there are repeated figures that are different in size but follow a regular, ordered arrangement in their recurrence. This is most evident in the center and the area immediately surrounding the center of the mandala. Repetition is seen throughout the mandala in the repetition of figures. This scroll includes all three of these elements: repetition, rhythm, and pattern. Hanging scroll, color on silk.The center square represents the young stage of Vairocana Buddha. Taizokai (Womb World) mandala, second half of ninth century. Repetition, pattern, and rhythm in a Buddhist mandala Repetition refers to one object or shape repeated pattern is a combination of elements or shapes repeated in a recurring and regular arrangement rhythm-is a combination of elements repeated, but with variations. What is repetition, pattern, and rhythm? How do they relate to each other?

Whats harmony in art